{"id":17281,"date":"2025-02-08T22:17:48","date_gmt":"2025-02-08T22:17:48","guid":{"rendered":"https:\/\/essays.homeworkacetutors.com\/2025\/02\/music-app-4-essay\/"},"modified":"2025-02-08T22:17:48","modified_gmt":"2025-02-08T22:17:48","slug":"music-app-4-essay","status":"publish","type":"post","link":"https:\/\/www.colapapers.com\/us\/music-app-4-essay\/","title":{"rendered":"Music App 4 Essay"},"content":{"rendered":"<article class=\"essay-content\">\n<div class=\"flashcards__single-item study-vc_row-flex\">\n<div class=\"study-flex-item\">\n<p>In\u00a0music, the early twentieth century was a\u00a0time of<\/p>\n<p>revolt and change<\/p>\n<p>The most famous riot in\u00a0music history occurred in\u00a0Paris in\u00a01913\u00a0at the first performance of<\/p>\n<p>Igor Stravinsky Rite of\u00a0Spring<\/p>\n<p>Composers worked in\u00a0the early years of\u00a0the twentieth century<\/p>\n<p>except Igor Stravinsky<\/p>\n<p>Composers in\u00a0the twentieth century drew inspiration from<\/p>\n<p>folk and pop music of\u00a0all cultures<\/p>\n<p>Twentieth-century composers incorporated elements of\u00a0folk and popular music within their<\/p>\n<p>personal styles because<\/p>\n<p>they were attracted to\u00a0unconventional rhythms, sounds, and melodic patterns.<\/p>\n<div class=\"in-text-block-1\"><\/div>\n<\/p>\n<p>A\u00a0great twentieth-century composer who was also a\u00a0leading scholar of\u00a0the folk music of\u00a0his<\/p>\n<p>native land was<\/p>\n<p>Bela Bartok<\/p>\n<p>alternative to\u00a0the traditional organization of\u00a0pitch used by\u00a0twentieth-century composers?<\/p>\n<p>atonality<\/p>\n<p>The combination of\u00a0two traditional chords sounding together is\u00a0known as<\/p>\n<p>a\u00a0polychord<\/p>\n<p>A\u00a0fourth chord is<\/p>\n<p>a\u00a0chord in\u00a0which the tones are a\u00a0fourth apart<\/p>\n<p>A\u00a0chord made of\u00a0tones only a\u00a0half step or\u00a0a\u00a0whole step apart is\u00a0known as<\/p>\n<p>a\u00a0tone cluster<\/p>\n<p>to\u00a0create fresh sounds, twentieth-century composers used<\/p>\n<p>non western scales, their scales, ancient church modes<\/p>\n<p>The technique of\u00a0using two or\u00a0more tonal centers at\u00a0the same time is\u00a0called<\/p>\n<p>expanded tonality<\/p>\n<p>The absence of\u00a0key or\u00a0tonality in\u00a0a\u00a0musical composition is\u00a0known as<\/p>\n<p>atonality<\/p>\n<p>The first significant atonal pieces were composed around 1908 by<\/p>\n<p>Claude debussy<\/p>\n<p>The use of\u00a0two or\u00a0more contrasting and independent rhythms at\u00a0the same time is\u00a0known as<\/p>\n<p>poly rhythm<\/p>\n<p>Radio broadcasts of\u00a0live and recorded music began to\u00a0reach large audiences during the<\/p>\n<p>1920\u2019s<\/p>\n<p>One of\u00a0the most important teachers of\u00a0musical composition in\u00a0the twentieth century was<\/p>\n<p>Nadia Boulinger<\/p>\n<p>Impressionist painting and symbolist poetry as\u00a0artistic movements originated in<\/p>\n<p>france<\/p>\n<p>The most important impressionist composer was<\/p>\n<p>Claude debussy<\/p>\n<p>The term impressionist derived from a\u00a0critic\u2019s derogatory reaction to\u00a0Impression: Sunrise, a<\/p>\n<p>painting by<\/p>\n<p>Claude monet<\/p>\n<p>Debussy\u2019s music tends to<\/p>\n<p>sound free and almost improvisational<\/p>\n<p>Impressionism in\u00a0music is\u00a0characterized by<\/p>\n<p>stress of\u00a0tone color, atmosphere and fluidity<\/p>\n<p>A\u00a0scale made up\u00a0of\u00a0six different notes each a\u00a0whole step away from the next is\u00a0called a<\/p>\n<p>________ scale.<\/p>\n<p>whole-tone<\/p>\n<p>The neoclassical movement in\u00a0music roughly encompassed the years<\/p>\n<p>1920-1950<\/p>\n<p>Neoclassical composers favored<\/p>\n<p>tonality<\/p>\n<p>Neoclassical compositions are characterized by<\/p>\n<p>not misty atmosphere<\/p>\n<p>Neoclassical composers modeled many of\u00a0their works after the compositions of<\/p>\n<p>JS\u00a0Bach<\/p>\n<p>Neoclassicism was a\u00a0reaction against<\/p>\n<p>Romanticism and impressionism<\/p>\n<p>Igor Stravinsky studied composition with<\/p>\n<p>Rimsky<\/p>\n<p>Stravinsky\u2019s life took a\u00a0sudden turn in\u00a01909, when he\u00a0met the director of\u00a0the Russian Ballet,<\/p>\n<p>Sergei Diaghilev<\/p>\n<p>The immense success of\u00a0Stravinsky\u2019s 1910 ballet ________ established him as\u00a0a\u00a0leading young<\/p>\n<p>composer.<\/p>\n<p>the firebird<\/p>\n<p>The famous riot in\u00a01913 was caused by\u00a0the first performance of\u00a0Stravinsky\u2019s ballet<\/p>\n<p>the rite of\u00a0spring<\/p>\n<p>Stravinsky\u2019s enormous influence on\u00a0twentieth-century music is\u00a0due to\u00a0his innovations in<\/p>\n<p>rhythm, harmony, tone color<\/p>\n<p>Which of\u00a0the following ballets is\u00a0not from Stravinsky\u2019s Russian period?<\/p>\n<p>pulcinella<\/p>\n<p>In\u00a0the 1950s Stravinsky dramatically changed his style, drawing inspiration from<\/p>\n<p>the 12\u00a0tone system<\/p>\n<p>The expressionist movement in\u00a0music and art flourished in\u00a0the years<\/p>\n<p>1905-1925<\/p>\n<p>Expressionism is\u00a0an\u00a0art concerned with<\/p>\n<p>social protest<\/p>\n<p>Expressionist composers<\/p>\n<p>avoided tonality and traditional chord progressions<\/p>\n<p>Schoenberg\u2019s teacher was<\/p>\n<p>himself<\/p>\n<p>Schoenberg acquired his profound knowledge of\u00a0music by<\/p>\n<p>going to\u00a0concerts, playing chamber groups, studying scores<\/p>\n<p>Alban Berg and Anton Webern were Arnold Schoenberg\u2019s<\/p>\n<p>students<\/p>\n<p>When Schoenberg arrived in\u00a0the United States after the Nazis seized power in\u00a0Germany, he<\/p>\n<p>obtained a\u00a0teaching position at<\/p>\n<p>UCLA<\/p>\n<p>Schoenberg\u2019s third period, in\u00a0which he\u00a0developed the twelve-tone system, began around<\/p>\n<p>1921<\/p>\n<p>An\u00a0eerily expressive kind of\u00a0declamation midway between song and speech, introduced during<\/p>\n<p>the expressionist period, is<\/p>\n<p>spreechistime<\/p>\n<p>The ordering of\u00a0the twelve chromatic tones in\u00a0a\u00a0twelve-tone composition is\u00a0called a<\/p>\n<p>series, tone, row, set<\/p>\n<p>Which of\u00a0the following terms is\u00a0not used to\u00a0describe the chromatic tones in\u00a0twelve-tone composition?special ordering of\u00a0the twelve<\/p>\n<p>polychord<\/p>\n<p>Anton Webern<\/p>\n<p>was a\u00a0composer<\/p>\n<p>Webern\u2019s melodic lines are<\/p>\n<p>atomized into 2\u00a0or 3\u00a0note fragments<\/p>\n<p>Webern\u2019s Five Pieces for Orchestra are scored for<\/p>\n<p>a\u00a0chamber orchestra of\u00a018\u00a0soloist<\/p>\n<p>From 1907 to\u00a01934 B\u00e9la Bart\u00f3k taught __________ at\u00a0his alma mater, and gave recitals<\/p>\n<p>throughout Europe.<\/p>\n<p>piano<\/p>\n<p>The melodies B\u00e9la Bart\u00f3k used in\u00a0most of\u00a0his works are<\/p>\n<p>original themes with folk flavor<\/p>\n<p>Who was the leading American composer and conductor of\u00a0band music?<\/p>\n<p>Leonard Bernstein<\/p>\n<p>Charles Ives\u2019s father was a(n)<\/p>\n<p>insurance salesman<\/p>\n<p>After graduating from Yale, Charles Ives<\/p>\n<p>went into the insurance business<\/p>\n<p>During most of\u00a0his lifetime, Charles Ives\u2019s musical compositions<\/p>\n<p>accumulated in\u00a0his barn<\/p>\n<p>George Gershwin grew up\u00a0in<\/p>\n<p>Antavka Russia<\/p>\n<p>Gershwin left high school at\u00a0the age of\u00a0fifteen to<\/p>\n<p>become a\u00a0pianist demonstrating new songs in\u00a0a\u00a0publishers salesroom<\/p>\n<p>George Gershwin usually collaborated with the lyricist<\/p>\n<p>Ira Gershwin<\/p>\n<p>Porgy and Bess is\u00a0a(n)<\/p>\n<p>opera<\/p>\n<p>William Grant Still<\/p>\n<p>Troubled Island\u00a0\/ in\u00a0NY<\/p>\n<p>Each movement of\u00a0William Grant Still\u2019s Afro-American Symphony is\u00a0prefaced by\u00a0lines from a<\/p>\n<p>poem by<\/p>\n<p>PLD<\/p>\n<p>Aaron Copland was born in<\/p>\n<p>Brooklyn<\/p>\n<p>In\u00a01921 Copland went to\u00a0France, where he\u00a0was the first American to\u00a0study composition with<\/p>\n<p>Nadia Boulinger<\/p>\n<p>In\u00a01925, after Copland returned from France, American music meant<\/p>\n<p>Jazz<\/p>\n<p>In\u00a01925, and for a\u00a0few years afterward, Copland\u2019s music showed the influence of<\/p>\n<p>Jazz<\/p>\n<p>Appalachian Spring originated as\u00a0a<\/p>\n<p>ballet score for the great modern dance and choreographer Martha Graham<\/p>\n<p>Alberto Ginastera, one of\u00a0the most prominent Latin-American composers of\u00a0the 20th century,<\/p>\n<p>was born in<\/p>\n<p>Argentina<\/p>\n<p>One of\u00a0Ginastera\u2019s early works, Estancia Suite, is<\/p>\n<p>Nationalistic<\/p>\n<p>In\u00a01945 Ginastera moved to\u00a0the United States where he\u00a0had the opportunity to\u00a0study with the<\/p>\n<p>well known American composer<\/p>\n<p>Aaron Copeland<\/p>\n<p>Since World War\u00a0II, musical styles have<\/p>\n<p>taken many new directions<\/p>\n<p>All of\u00a0the following are major developments in\u00a0music since 1950 except the<\/p>\n<p>continued composition of\u00a0symphonies in\u00a0the classical style<\/p>\n<p>Composers began to\u00a0shift from tonality to\u00a0the twelve-tone system because<\/p>\n<p>discovered it\u00a0was compostional<\/p>\n<p>The twelve-tone composer whose style was most imitated in\u00a0the 1950s and 1960s was<\/p>\n<p>anton webern<\/p>\n<p>Serialism is\u00a0a\u00a0compositional technique in\u00a0which<\/p>\n<p>stuff serves a\u00a0unifying idea<\/p>\n<p>Twelve-tone compositional techniques used to\u00a0organize rhythm, dynamics, tone color, and<\/p>\n<p>other dimensions of\u00a0music to\u00a0produce totally controlled and organized music are called<\/p>\n<p>serialism<\/p>\n<p>In\u00a0chance, or\u00a0aleatory music, the composer<\/p>\n<p>choose pitches, tone color, rhythm, and random methods<\/p>\n<p>Around 1940, John Cage invented the prepared piano, a(n)<\/p>\n<p>grand piano whose sound is\u00a0altered by\u00a0objects<\/p>\n<p>Edgard Var\u00e8se\u2019s Po\u00e8me \u00e9lectronique<\/p>\n<p>was also designed for 1958 Brussels world fair, earliest masterpiece composed in\u00a0collab with Le\u00a0Corbusier<\/p>\n<p>Ragtime flourished in\u00a0the United States<\/p>\n<p>1890-1915<\/p>\n<p>The most famous blues singer of\u00a0the 1920s, known as\u00a0the \u201cempress of\u00a0the blues\u201d, was<\/p>\n<p>Bessie Smith<\/p>\n<p>New Orleans style Dixieland flourished in\u00a0the United States<\/p>\n<p>1900-1917<\/p>\n<p>The major center of\u00a0jazz from about 1900 to\u00a01917 was<\/p>\n<p>Bebop<\/p>\n<p>Duke Ellington was an\u00a0important figure in<\/p>\n<p>bebop<\/p>\n<p>Duke Ellington\u2019s compositions are outstanding because they<\/p>\n<p>have rich tone colors, harmony, distinctive sounds of\u00a0individual musicians<\/p>\n<p>Bebop differed from earlier jazz forms in\u00a0that it<\/p>\n<p>used written arrangements with little improviation<\/p>\n<p>A\u00a0typical bebop group might include<\/p>\n<p>saxophone, trumpet, piano, bass, precussion<\/p>\n<p>One of\u00a0the greatest of\u00a0all jazz improvisers and a\u00a0towering figure among bebop musicians was the<\/p>\n<p>saxophonist<\/p>\n<p>Charlie Parker<\/p>\n<p>A\u00a0bebop performance generally began and ended with<\/p>\n<p>statement of\u00a0main theme<\/p>\n<p>Cool jazz<\/p>\n<p>related to\u00a0bop but more relaxed<\/p>\n<p>A\u00a0golden era of\u00a0American musical theater was created from about<\/p>\n<p>1920-1960<\/p>\n<p>Leonard Bernstein was a\u00a0well-known<\/p>\n<p>ballet composer\/musicals<\/p>\n<p>In\u00a0addition to\u00a0his famous musicals, Leonard Bernstein also wrote successful<\/p>\n<p>ballet, choral, symphonies<\/p>\n<p>The musical loosely based on\u00a0Shakespeare\u2019s Romeo and Juliet is<\/p>\n<p>west side story<\/p>\n<p>Rock has been defined as<\/p>\n<p>vocal music with hard driving beat, electric guitar, amplified sound<\/p>\n<p>Early rock grew mainly out of __________, a\u00a0dance music of\u00a0African Americans that<\/p>\n<p>fused blues, jazz, and gospel styles.<\/p>\n<p>rhythm and blues<\/p>\n<p>A\u00a0folklike, guitar-based style associated with rural white Americans is\u00a0known as<\/p>\n<p>country and western<\/p>\n<p>The Beatles\u2019s influence on\u00a0American rock music may be\u00a0seen through later performers\u2019<\/p>\n<p>use of<\/p>\n<p>classical non western instruments, unconventional scales, and chord progressions<\/p>\n<p>Nonwestern music is\u00a0most often transmitted<\/p>\n<p>orally<\/p>\n<p>Singers in\u00a0the Middle East and North Africa cultivate a\u00a0vocal timbre that<\/p>\n<p>has a\u00a0nasal, intense, and strained tone<\/p>\n<p>The most important way of\u00a0making music in\u00a0most nonwestern cultures is\u00a0by<\/p>\n<p>the voice<\/p>\n<p>Musical instruments whose sound generator is\u00a0a\u00a0column of\u00a0air are classified as<\/p>\n<p>aerophones<\/p>\n<p>Musical instruments whose own material is\u00a0the sound generator are classified as<\/p>\n<p>idiophones<\/p>\n<p>Nonwestern musical scales often contain ________ tones.<\/p>\n<p>5,6,7 tones<\/p>\n<\/div>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>In\u00a0music, the early twentieth century was a\u00a0time of revolt and change The most famous riot in\u00a0music history occurred in\u00a0Paris in\u00a01913\u00a0at the first performance of Igor Stravinsky Rite of\u00a0Spring Composers worked in\u00a0the early years of\u00a0the twentieth century except Igor Stravinsky Composers in\u00a0the twentieth century drew inspiration from folk and pop music of\u00a0all cultures Twentieth-century composers incorporated [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6274,6044,3661],"tags":[5676,5867,6275,5854,5289,6277,6276],"class_list":["post-17281","post","type-post","status-publish","format-standard","hentry","category-ace-tutors","category-music","category-write-a-paper","tag-1500-words-assessment-task","tag-can-i-pay-someone-to-do-my-homework","tag-in-a-5-7-page-written-assessment","tag-pay-for-help-with-homework","tag-tutors-online-homework-help-best-homework-helper","tag-who-can-do-my-homework-for-me","tag-write-a-powerpoint-presentation"],"_links":{"self":[{"href":"https:\/\/www.colapapers.com\/us\/wp-json\/wp\/v2\/posts\/17281","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.colapapers.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.colapapers.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.colapapers.com\/us\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.colapapers.com\/us\/wp-json\/wp\/v2\/comments?post=17281"}],"version-history":[{"count":0,"href":"https:\/\/www.colapapers.com\/us\/wp-json\/wp\/v2\/posts\/17281\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.colapapers.com\/us\/wp-json\/wp\/v2\/media?parent=17281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.colapapers.com\/us\/wp-json\/wp\/v2\/categories?post=17281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.colapapers.com\/us\/wp-json\/wp\/v2\/tags?post=17281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}